Essay On Goodfellas
“Scorsese continues to undercut Henry’s labors throughout Goodfellas, but does so in an unusual fashion by offering the audience a brash, yet attractive visual style that conceals a simple critique. Though often criticized as a glorification of the mafia, Scorsese’s triumph is not merely in the direct method by which he seduces both his characters and his audience, but actually in how he deceptively spoils it all.” [link]
